PRESS

CADIE IN REVIEW

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Cadie J. Bryan, AZO Shining Brow, Tim Trumble, photographer

THE ATLANTA OPERA — 2022

The Barber of Seville

"The role of Berta only provides one aria with which to showcase singing skills, but Cadie J. Bryan captivates the audience in “Il vecciotto cerca moglie” with a dazzling voice."

Miho Uchida | PLAYS TO SEE

"In a refreshing bit of casting, the role of Berta was reimagined as a young sexy maid, allowing soprano Cadie J. Bryan to steal a bit of the scene in her various comings and goings. She also surprised the ear by offering her fresh, pleasing soprano to Berta’s often ignored aria di sorbetto."

Daniel Vasquez | NEW OUTPOST

 

DES MOINES METRO OPERA — 2021

Platée

Cadie J. Bryan was an utter delight as Clarine. Her luminous, attractive soprano encompassed all the interpretive demands of Clarine’s jewel of an aria.

James Sohre | OPERA TODAY

Cadie J. Bryan was charming in the role of Platée’s long suffering maidservant. Her sunny soprano voice was well suited to Rameau’s music, and her brief solo was luminous and sweet.

Meghan Klinkenborg | SCHMOPERA

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ARIZONA OPERA — 2019

Mon Orchid Gallery

Soprano Cadie Jordan, a second-year Studio member, opened the program with "Sleep why dost thou leave me" from Handel's 1744 opera, Semele. She began with a significant messa di voce on the first note and continued with a smooth legato and a well placed trill... and showed both the beauty of her even range and her technical ability.

Maria Nockin | BROADWAY WORLD

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Cadie J. Bryan, AZO Shining Brow, Tim Trumble, photographer

ARIZONA OPERA — 2019

Le nozze di Figaro

Cadie Jordan was truly a songbird, every time she opened her mouth beautiful sound issued forth. This young lady has a very promising career ahead of her.

Keith Lane | TG GEEKS

 

ARIZONA OPERA — 2019

Shining Brow

Maria Nockin | OPERAWIRE

Soprano Cadie Jordan was a maid with copious free-flowing coloratura roulades.

Her maid was nearly mad from shock, flailing about the carnage trying to get Wright to understand the gravity of the crime she had witnessed. It was one of the most dramatic scenes of the night.

Cathalena E. Burch | TUCSON.COM

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ARIZONA OPERA — 2018

Charlie Parker's Yardbird

Soprano Cadie Jordan was Chan, a free spirit who emoted with silver high notes. If Schnyder, Wimberly, and Lamb intended to show [her] commonality as well as [her] beauty, they succeeded.

Maria Nockin | OPERAWIRE

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Cadie J. Bryan, DMMO Rusalka, Duane Tinkey, photographer
Cadie J. Bryan, DMMO Rusalka, Duane Tinkey, photographer

DES MOINES METRO OPERA — 2018

Rusalka

Whether in solo or ensemble, the three [woodsprites] offered limpid, pliable, steady singing of the highest order.

James Sohre | OPERA TODAY