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CADIE IN REVIEW
Read reviews from Cadie's past performances. Recent highlights include engagements with, The Atlanta Opera, Arizona Opera, Des Moines Metro Opera, and more.
THE ATLANTA OPERA — 2022
THE BARBER OF SEVILLE
"The role of Berta only provides one aria with which to showcase singing skills, but Cadie J. Bryan captivates the audience in “Il vecciotto cerca moglie” with a dazzling voice."
Miho Uchida | PLAYS TO SEE
"In a refreshing bit of casting, the role of Berta was reimagined as a young sexy maid, allowing soprano Cadie J. Bryan to steal a bit of the scene in her various comings and goings. She also surprised the ear by offering her fresh, pleasing soprano to Berta’s often ignored aria di sorbetto."
Daniel Vasquez | NEW OUTPOST
DES MOINES METRO OPERA — 2021
PLATÉE
Cadie J. Bryan was an utter delight as Clarine. Her luminous, attractive soprano encompassed all the interpretive demands of Clarine’s jewel of an aria.
James Sohre | OPERA TODAY
Cadie J. Bryan was charming in the role of Platée’s long suffering maidservant. Her sunny soprano voice was well suited to Rameau’s music, and her brief solo was luminous and sweet.
Meghan Klinkenborg | SCHMOPERA
"Cadie J. Bryan, a sparkling Clarine"
Mark Thomas Ketterson | OPERA NEWS
ARIZONA OPERA — 2019
MON ORCHID GALLERY
Soprano Cadie Jordan, a second-year Studio member, opened the program with "Sleep why dost thou leave me" from Handel's 1744 opera, Semele. She began with a significant messa di voce on the first note and continued with a smooth legato and a well placed trill... and showed both the beauty of her even range and her technical ability.
Maria Nockin | BROADWAY WORLD
ARIZONA OPERA — 2019
LE NOZZE DI FIGARO
Cadie Jordan was truly a songbird, every time she opened her mouth beautiful sound issued forth. This young lady has a very promising career ahead of her.
Keith Lane | TG GEEKS
ARIZONA OPERA — 2019
SHINING BROW
Soprano Cadie Jordan was a maid with copious free-flowing coloratura roulades.
Her maid was nearly mad from shock, flailing about the carnage trying to get Wright to understand the gravity of the crime she had witnessed. It was one of the most dramatic scenes of the night.
Maria Nockin | OPERAWIRE
Cathalena E. Burch | TUCSON.COM
ARIZONA OPERA — 2018
CHARLIE PARKER'S YARDBIRD
Soprano Cadie Jordan was Chan, a free spirit who emoted with silver high notes. If Schnyder, Wimberly, and Lamb intended to show [her] commonality as well as [her] beauty, they succeeded.
Maria Nockin | OPERAWIRE
DES MOINES METRO OPERA — 2018
RUSALKA
Whether in solo or ensemble, the three [woodsprites] offered limpid, pliable, steady singing of the highest order.
James Sohre | OPERA TODAY